INTERIOR ARCHITECTURE
Bachelor TR-NQF-HE: Level 6 QF-EHEA: First Cycle EQF-LLL: Level 6

General Information about the Course

Course Code: ICM102
Course Title: Studio-II: Beginnings
Course Semester: 2. Semester / Spring
Course Credits:
Theoretical Practical Credit ECTS
3 8 7 10
Language of instruction: TR
Prerequisite of the course: ICM 101 - Stüdyo-I: Karşılaşmalar
Type of course: Necessary
Level of course:
Bachelor TR-NQF-HE:6. Master`s Degree QF-EHEA:First Cycle EQF-LLL:6. Master`s Degree
Course Lecturer(s): Instructor Bilge Bal (Course Coordinator), Assistant Prof. Devrim Çimen, Instructor Seda Gecü

Purpose and content of the course

Course Objectives: Beginnings is a freshman year design studio discussing the question of “What is design?” by making. The studio resists the anthropocentric perspective and its domination, which suggest that humans are unique and take precedence over non-humans. It stands next that all living and non-living beings are interconnected and interrelated. “Species are companions”. Nature is a co-construction between human and nonhuman. It is a common-place.

“Beginnings” means re-discovery. The studio’s collaborators (students) are the new "explorers". Its main motivations are to wonder, to explore, to be surprised, to be excited, to walk, to look closely, to touch, to take a wild inner wandering, to forget to act with the given, to ask questions about oneself, place and materials, to witness, to dream, to slow down, to spend time on site and to think and make with all of them. It takes into account an autobiographical position of action. Moments exist with circumstances and relationships. The studio is skeptical of what is called 'analyzing the place'. It seeks for speculative, tactile and active ways of exploring the potential of place, one, and us to trigger the thought. It asks all kinds of questions, constructs analog methods, environments and mechanisms in order to produce creative coexistence with the place. Studio II: Beginnings continues to think through materials, environments and techniques in accordance with the setup of the Studio I: Encounters.

Can we learn not to look at things alone, and can we delicately design the moments of encounter that establish an atmospheric relationship between the place and the subject, with the tools of architecture?

By focusing on the nature's Istanbul, Beginnings studio consists of three modules:

1/ Bostan (Yedikule: A Diary of the Life of Bostan, Lettuce and Bostancı)
2/ Island (Burgazada, Walking and Collecting, An Attempt to Create a Herbarium)
3/ Speculative Fiction - Being / Inventing a Landscape
4/ Forest- Wild Land (Belgrad, Layers of a Forest as a Volumetric Terrain)
5/ Active Landscape and Shoreline (Rumeli Feneri, Existential Refining)

Each module continues with invited speakers and workshops parallel to the studio work.
Course Objective: • To grasp the poetic dimension of the space beyond functionality in design and to develop a designer's sensitivity in relation to its context
• To be able to handle the question “What is design?”ethically and resist to the anthropocentric perspective
• To understand that design is a co-construction
• To be able to reveal an atmospheric relationship between the place and the subject
• To make design by considering the effects of materials, context, program and companion species
• To design without seeing nature as a reserve area for consumption
• To be able to design structural components and details using design and manufacturing technologies and build a 1:1 scale structural system
• To understand the characteristics of building systems established through material knowledge
• To gain the ability to represent spatial phenomena and experiences through sketches, technical drawings, physical models
• To obtain information about the content of different scales and transferring this information to representations at different scales
• To deal with the plan and section arrangements of the design in a way that provides a semantic integrity with the place and the subject
• To acquire the ability to analyze the context in which the architectural space is shaped, influenced and affected
• To use various representation methods and mediums, and to acquire technical knowledge in order to recognize, research and document the natural and artificial environment in which the architectural space is shaped
Mode of Delivery: Face to face

Learning Outcomes

Knowledge (Described as Theoritical and/or Factual Knowledge.)
  1) Students design as being aware that design is a co-creative action including human and non-human beings, actions, relationships and situations.
  2) Students can answer the question of "What is design?" ethically.
  3) Students understand that design is a multi-disciplinary, multi-dimensional act.
  4) Students consider the context, the building program, the materials and the building systems not as constraints but as elements of a creative design.
Skills (Describe as Cognitive and/or Practical Skills.)
  1) Students can represent spatial phenomena and experiences via verbal and visual tools such as sketches, technical drawings, tangible models etc.
  2) Students know materials and construction systems and they are able use this knowledge to build.
Competences (Described as "Ability of the learner to apply knowledge and skills autonomously with responsibility", "Learning to learn"," Communication and social" and "Field specific" competences.)
  1) Students are able to design structural components and details using design and manufacturing technologies and build a 1:1 scale structural system.
  2) Students can share their design approach with not only the endemic but also the creative representation and communication techniques.

Course Topics

Week Subject
Related Preparation Pekiştirme
1) Introduction, Welcome! Spring Semester Studio Orientation + Beginnings I: Yedikule Bostans, Studio Time and Discussion / Excursion, Seminar or Workshop
2) Beginnings I: Yedikule Bostans, Studio Time and Discussion / Excursion, Seminar or Workshop - Mid-Review 01
3) Beginnings II: Burgazada, Studio Time and Discussion / Excursion, Seminar or Workshop
4) Beginnings II: Burgazada, Studio Time and Discussion / Excursion, Seminar or Workshop
5) Beginnings II: Burgazada, Studio Time and Discussion / Excursion, Seminar or Workshop + Mid-Review 02
6) Beginnings III: Speculative Landscape, Studio Time and Discussion / Seminar or Workshop
7) Beginnings III: Speculative Landscape, Studio Time and Discussion / Seminar or Workshop - Mid Review 03
8) Beginnings IV: Belgrad Forest, Studio Time and Discussion / Excursion, Seminar or Workshop
9) Beginnings IV: Belgrad Forest, Studio Time and Discussion / Excursion, Seminar or Workshop
10) Beginnings IV: Belgrad Forest, Studio Time and Discussion / Excursion, Seminar or Workshop - Mid Review 04
11) Beginnings V: Rumelifeneri, Studio Time and Discussion / Excursion, Seminar or Workshop
12) Beginnings V: Rumelifeneri, Studio Time and Discussion / Excursion, Seminar or Workshop
13) Beginnings V: Rumelifeneri, Studio Time and Discussion / Excursion, Seminar or Workshop
14) Beginnings V: Rumelifeneri, Studio Time and Discussion / Excursion, Seminar or Workshop - Mid Review 05
15) Beginnings V: Rumelifeneri, Studio Time and Discussion / Excursion, Seminar or Workshop
16) Beginnings V: Rumelifeneri, Studio Time and Discussion / Excursion, Seminar or Workshop - Final Review
References: Aladağ, D., Aslan E. (2021). Bir Yerin İzinde Pek Çok Yer. İstanbul: Manifold
Balmond, C. (2008). Element. UK, USA:Prestel Publishing.
Bjornerud, M. (2018). Timefulness: How Thinking Like a Geologist Can Help Save the World. USA: Princeton University Press
Carroll, L. (2014). Alice in Wonderland. UK: Scholastic Ltd.
Colomina,B. et al. (2022). Radical Pedagogies. Cambridge, London: The MIT Press.
Darwin, C. (1998). The Origin of Species. USA: Wordsworth Editions.
Güner, I. (2019). Botanical Illustration from Life: A Visual Guide to Observing, Drawing and Painting Plants. UK: Search Press.
Haraway, D. J. (1976). Crystals, Fabrics, and Fields. New York: Yale University Press.
Haraway, D. J. (1991). Simians, Cyborgs, and Women: The Reinvention of Nature. London & New York: Routledge.
Haraway, D. J. (2003). The Companion Species Manifesto: Dogs, People, and Significant Otherness. Chicago: Prickly Paradigm Press.
Haraway, D. (2007). When Species Meet. USA: University Of Minnesota Press.
Haskell, D.G. (2019). Saklı Orman: Bir Biyologun Güncesi. Ekofil Yayınları.
Hesse, H. (2018). Ağaçlar. İstanbul: Kolektif Kitap.
Hooks, B. (1993). Teaching to Transgress, Education as the Practice of Freedom. Canada: Post Hypnotic Press Inc.
Klee, P. (1953). Pedagogical Sketchbook. New York: Frederick A. Praeger Publishers.
Le Breton, D. (2007). Yürümeye Övgü. İstanbul: Sel Yayıncılık.
Leopold, A. (2020). A Sand County Almanac. USA: Oxford University Press.
Kafadar, S. M. (2019). Yedikule Lettuce as Urban Legend: Environmental Imaginary of Istanbul in the Early Twentieth Century. Boğaziçi University. Institute for Graduate Studies in Social Sciences. Unpublished Master Thesis.
Sahlins, M. (2022). The New Science of the Enchanted Universe: An Anthropology of Most of Humanity. Princeton, New Jersey: the Princeton University Press.
Stein, M. et al. (2016). Blueprint for Counter Education. Los Angeles: Inventory Press.
Solnit, R. (2001). Wanderlust, A History of Walking. UK: Penguin Books.
Swift, J. (2003). Gulliver’s Travels. UK, USA: Penguin Classics.
Thoreau, D. (2019). Yürümek. İstanbul: Can Yayınları.
Tsing, A. L. (2021). The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton, New Jersey: the Princeton University Press.
Verne, J. (2018). Dünyanın Merkezine Yolculuk. İstanbul: Kopernik Kitap.
Wulf, A. (2015). The Invention of Nature: Alexander von Humboldt's New World. USA: Penguin Random House.


Demirtaş, A. et al. (2021).Misanthropy: The Istanbul of the Eagle (kısa film)
Fricke, R. (2017). Baraka (film)
Geyrhalter, F. J. (2016). Homo Sapiens (belgesel)
Miyazeke, H. (1997). Prenses Mononeke (animasyon film)
Perrin, J. & Cluzaud J. (2001). Kuşlar Kanatlı Uygarlık (belgesel)
Ross, M. (2016). Captain Fantastic (film)
Schaffner, F.J. (1968), Planet of the Apes (film)
Schwartzberg, L. (2019). Fantastic Fungi (belgesel)
Tüydeş, A. (2019). Yaren (belgesel)
Yeksan, E. (2018). Yuva (film)
Varda, A. (2000). Toplayıcılar (belgesel)

Ders - Program Öğrenme Kazanım İlişkisi

No Effect 1 Lowest 2 Average 3 Highest
       
Ders Öğrenme Kazanımları

1

2

3

4

1

2

1

2

Program Outcomes

Course Teaching, Learning Methods

Q & A
Case Problem Solving/ Drama- Role/ Case Management
Laboratory
Quantitative Problem Solving
Fieldwork
Group Study / Assignment
Individual Assignment
WEB-based Learning
Internship
Practice in Field
Project Preparation
Report Writing
Seminar
Supervision
Social Activity
Occupational Activity
Occupational Trip
Application (Modelling, Design, Model, Simulation, Experiment et.)
Reading
Thesis Preparation
Field Study
Student Club and Council Activities
Other
Logbook
Interview and Oral Conversation
Research
Watching a movie
Bibliography preparation
Oral, inscribed and visual knowledge production
Taking photographs
Sketching
Mapping and marking
Reading maps
Copying textures
Creating a library of materials
Presentation

Evaluation System

Semester Requirements Number of Activities Level of Contribution
Attendance % 0
Laboratory % 0
Application % 0
Practice Exam % 0
Quizzes % 0
Homework Assignments 11 % 40
Presentation % 0
Project % 0
Special Course Internship (Work Placement) % 0
Field Study % 0
Article Critical % 0
Article Writing % 0
Module Group Study % 0
Brainstorming % 0
Role Playing + Dramatizing % 0
Out of Class Study % 0
Preliminary Work, Reinforcement % 0
Application Repetition etc. % 0
Homework (reading, writing, watching movies, etc.) % 0
Project Preparation + Presentation % 0
Report Preparation + Presentation % 0
Presentation / Seminar Preparation + Presenting % 0
Oral examination % 0
Midterms % 0
Final 1 % 60
Report Submission % 0
Bütünleme % 0
Kanaat Notu % 0
Committee % 0
Yazma Ödev Dosyası % 0
Portfolio % 0
Take-Home Exam % 0
Logbook % 0
Discussion % 0
Participation % 0
total % 100
PERCENTAGE OF SEMESTER WORK % 40
PERCENTAGE OF FINAL WORK % 60
total % 100

Calculation of Workload and ECTS Credits

Activities Number of Activities Workload
Course Hours 14 154
Laboratory
Application
Practice Exam
Special Course Internship (Work Placement)
Field Work
Study Hours Out of Class
Article Critical
Article Writing
Module Group Study
Brainstorming
Role Playing + Dramatizing
Out-of-Class Study (Pre-study, Reinforcement, Practice Review, etc.)
Homework (reading, writing, watching movies, etc.) 11 80
Project Preparation + Presentation
Report Preparation + Presentation
Presentation / Seminar Preparation + Presenting
Oral examination
Preparing for Midterm Exams
MIDTERM EXAM (Visa)
Preparing for the General Exam
GENERAL EXAM (Final) 5 55
Participation 1 11
Discussion
Portfolio
Take-Home Exam
Logbook
Total Workload 300
ECTS (30 saat = 1 AKTS ) 10