| Course Objectives: |
The aim of Introduction to British Drama is to introduce the historical development and cultural significance of British drama from the medieval period to the contemporary stage. Situating dramatic texts within their social, political and intellectual contexts, the course seeks to provide students with a foundational understanding of drama as both a literary form and a cultural practice. |
| Course Objective: |
Students will
- demonstrate an understanding of the major historical periods of British drama, recognizing key playwrights, movements, and genres from the medieval to the postmodern stage.
- evaluate the ways in which drama reflects, critiques, and responds to the cultural, political, and social contexts of its time.
- apply foundational concepts of dramatic theory and literary analysis to the close reading and interpretation of selected plays.
- differentiate dramatic genres, including tragedy, comedy, modernist, absurd, and postmodern forms, highlighting their thematic concerns and stylistic innovations.
- develop the ability to articulate how theatre serves as a medium through which questions of identity, power, class, and gender are explored across historical contexts.
|
| Mode of Delivery: |
E-Learning
|
|
|
|
|
| Knowledge
(Described as Theoritical and/or Factual Knowledge.)
|
1) Students will be able to demonstrate an understanding of the major historical periods of British drama, recognizing key playwrights, movements, and genres from the medieval to the postmodern stage.
|
2) Students will be able to apply foundational concepts of dramatic theory and literary analysis to the close reading and interpretation of selected plays.
|
3) Students will be able to differentiate dramatic genres, including tragedy, comedy, modernist, absurd, and postmodern forms, highlighting their thematic concerns and stylistic innovations.
|
| Skills
(Describe as Cognitive and/or Practical Skills.)
|
1) Students will be able to evaluate the ways in which drama reflects, critiques, and responds to the cultural, political, and social contexts of its time.
|
| Competences
(Described as "Ability of the learner to apply knowledge and skills autonomously with responsibility", "Learning to learn"," Communication and social" and "Field specific" competences.)
|
1) Students will be able to develop the ability to articulate how theatre serves as a medium through which questions of identity, power, class, and gender are explored across historical contexts.
|
| Week |
Subject |
| Related Preparation |
Pekiştirme |
| 1) |
Introduction to British Drama
• Introduction to the course
• Syllabus overview
• Drama's historical context
• Discussion: How to Read a Drama
|
| 2) |
Medieval Morality Plays
• Medieval period and drama types (Mystery, Miracle, Morality)
• Introduction to morality plays
• Reading background: Everyman |
| 3) |
Medieval Drama
• Everyman (continued)
• Allegory and moral instruction
• Discussion: Medieval view of life and death |
| 4) |
Renaissance Drama
• Renaissance theatre context
• Christopher Marlowe and the idea of tragedy
• Reading Background: Doctor Faustus |
| 5) |
Renaissance Tragedy
• Doctor Faustus (continued)
• Ambition, sin, and redemption
• Discussion: Humanism and Renaissance thought
|
| 6) |
Shakespearean Drama
• Shakespeare’s theatre and audiences
• Reading Background: Much Ado About Nothing |
| 7) |
Shakespearean Comedy
• Much Ado About Nothing (continued)
• Comedy, wit, and social order
• Discussion: Shakespeare’s comedies |
| 8) |
Midterm Week |
| 9) |
Victorian Drama
• Victorian theatre background
• Reading Background: The Importance of Being Earnest |
| 10) |
Victorian Comedy
• The Importance of Being Earnest (continued)
• Satire of class and manners
• Discussion: Oscar Wilde’s wit |
| 11) |
Early 20th Century Drama
• Early modernism in drama
• Reading Background: Pygmalion |
| 12) |
Modernist Drama
• Pygmalion (continued)
• Language, class, and social identity
• Discussion: Shaw and modernist theatre |
| 13) |
Postmodern drama and the Theatre of the Absurd
• Absurd drama and post-war theatre
• Reading Background: Not I
• Silence, repetition, and ambiguity |
| 14) |
Wrap-Up Session |
| 15) |
Final Week |
| References: |
Anonymous. (1993). Everyman. In D. Bevington (Ed.), Medieval drama (pp. 728–752). Boston, MA: Houghton Mifflin.
Beadle, R., & Fletcher, A. J. (Eds.). (2011). The Cambridge Companion to Medieval English Theatre. Cambridge: Cambridge University Press.
Beckett, S. (1973). Not I. New York, NY: Grove Press.
Braunmuller, A. R., & Hattaway, M. (Eds.). (2003). The Cambridge Companion to English Renaissance drama (2nd ed.). Cambridge: Cambridge University Press.
De Grazia, M., & Wells, S. (Eds.). (2001). The Cambridge Companion to Shakespeare. Cambridge: Cambridge University Press.
Klarer, M. (2013). An Introduction to Literary Studies (3rd ed.). New York, NY: Routledge.
Leach, R. (2013). Theatre Studies: The basics (2nd ed.). New York, NY: Routledge.
Marlowe, C. (2005). Doctor Faustus. Oxford: Oxford University Press.
Kent, B., & Kornhaber, D. (Eds.). (2025). The Cambridge Companion to Modernist Theatre. Cambridge: Cambridge University Press.
Pilling, J. (Ed.). (1994). The Cambridge Companion to Beckett. Cambridge: Cambridge University Press.
Powell, K. (Ed.). (2004). The Cambridge Companion to Victorian and Edwardian Theatre. Cambridge: Cambridge University Press.
Shakespeare, W. (2008). Much Ado About Nothing. Cambridge: Cambridge University Press.
Shaw, G. B. (2003). Pygmalion. London: Penguin Books.
Wilde, O. (1998). The Importance of Being Earnest. Oxford: Oxford University Press.
|
|
| Q & A |
|
| Case Problem Solving/ Drama- Role/ Case Management |
|
| Laboratory |
|
| Quantitative Problem Solving |
|
| Fieldwork |
|
| Group Study / Assignment |
|
| Individual Assignment |
|
| WEB-based Learning |
|
| Internship |
|
| Practice in Field |
|
| Project Preparation |
|
| Report Writing |
|
| Seminar |
|
| Supervision |
|
| Social Activity |
|
| Occupational Activity |
|
| Occupational Trip |
|
| Application (Modelling, Design, Model, Simulation, Experiment et.) |
|
| Reading |
|
| Thesis Preparation |
|
| Field Study |
|
| Student Club and Council Activities |
|
| Other |
|
| Logbook |
|
| Interview and Oral Conversation |
|
| Research |
|
| Watching a movie |
|
| Bibliography preparation |
|
| Oral, inscribed and visual knowledge production |
|
| Taking photographs |
|
| Sketching |
|
| Mapping and marking |
|
| Reading maps |
|
| Copying textures |
|
| Creating a library of materials |
|
| Presentation |
|
| Semester Requirements |
Number of Activities |
Level of Contribution |
| Attendance |
|
% 0 |
| Laboratory |
|
% 0 |
| Application |
|
% 0 |
| Practice Exam |
|
% 0 |
| Quizzes |
|
% 0 |
| Homework Assignments |
|
% 0 |
| Presentation |
|
% 0 |
| Project |
|
% 0 |
| Special Course Internship (Work Placement) |
|
% 0 |
| Field Study |
|
% 0 |
| Article Critical |
|
% 0 |
| Article Writing |
|
% 0 |
| Module Group Study |
|
% 0 |
| Brainstorming |
|
% 0 |
| Role Playing + Dramatizing |
|
% 0 |
| Out of Class Study |
|
% 0 |
| Preliminary Work, Reinforcement |
|
% 0 |
| Application Repetition etc. |
|
% 0 |
| Homework (reading, writing, watching movies, etc.) |
|
% 0 |
| Project Preparation + Presentation |
|
% 0 |
| Report Preparation + Presentation |
|
% 0 |
| Presentation / Seminar Preparation + Presenting |
|
% 0 |
| Oral examination |
|
% 0 |
| Midterms |
1 |
% 40 |
| Final |
1 |
% 60 |
| Practical Final |
|
% 0 |
| Report Submission |
|
% 0 |
| Bütünleme |
|
% 0 |
| Bütünleme Pratik |
|
% 0 |
| Kanaat Notu |
|
% 0 |
| Committee |
|
% 0 |
| Yazma Ödev Dosyası |
|
% 0 |
| Portfolio |
|
% 0 |
| Take-Home Exam |
|
% 0 |
| Logbook
|
|
% 0 |
| Participation |
|
% 0 |
| Discussion |
|
% 0 |
| total |
% 100 |
| PERCENTAGE OF SEMESTER WORK |
|
% 40 |
| PERCENTAGE OF FINAL WORK |
|
% 60 |
| total |
% 100 |
| Activities |
Number of Activities |
Workload |
| Course Hours |
13 |
13 |
| Laboratory |
|
|
| Application |
|
|
| Practice Exam |
|
|
| Special Course Internship (Work Placement) |
|
|
| Field Work |
|
|
| Study Hours Out of Class |
15 |
15 |
| Article Critical |
|
|
| Article Writing |
|
|
| Module Group Study |
|
|
| Brainstorming |
|
|
| Role Playing + Dramatizing |
|
|
| Out-of-Class Study (Pre-study, Reinforcement, Practice Review, etc.) |
|
|
| Homework (reading, writing, watching movies, etc.) |
|
|
| Project Preparation + Presentation |
|
|
| Report Preparation + Presentation |
|
|
| Presentation / Seminar Preparation + Presenting |
|
|
| Oral examination |
|
|
| Preparing for Midterm Exams |
|
|
| MIDTERM EXAM (Visa) |
1 |
1 |
| Preparing for the General Exam |
|
|
| GENERAL EXAM (Final) |
1 |
1 |
| Participation |
|
|
| Discussion |
|
|
| Portfolio |
|
|
| Take-Home Exam |
|
|
| Logbook
|
|
|
| Total Workload |
30 |
| ECTS (30 saat = 1 AKTS ) |
1 |